Peter’s Artwork

“If you are a bird artist and you spend your time in the field, you know your birds. My aim always is to bring the bird to life.” — Peter Harrison

Artist’s Proofs

Two hundred and thirty-nine full color art plates, comprising over 3,800 individual figures, make up the backbone of perhaps the most lavishly illustrated bird guide ever produced—SEABIRDS: The New Identification Guide. Peter Harrison’s artwork is cherished by followers and fans, and featured in many private art collections around the world.

Artist’s Proofs date back to the 1500s when the artist was given a portion of the editions (to sell) as payment for his work. In the past, the artist’s proof was often unfinished, an impression of what it was to become. Today, the term is usually used to describe the impression of a finished work. The artist normally sets aside a limited number of impressions.

In the case of the 239 seabird art plates, each impression is limited to just 100 and bears the name of the artist, the edition number, the edition size, plus a title. Convention dictates that these must all be completed in pencil, starting at lower left. Thus, for example: “15/100, Adélie Penguin and Chinstrap Penguin, Harrison 2017” indicates that the impression in hand is 15th in the series of 100 and that the work is signed and approved by the artist, Harrison, in the year 2017. The artist’s name and signature on an Artist’s Proof can increase the value by 3- or even 4-fold as it is the “mark of approval” and attests to its authenticity.

Peter Harrison_At the Light Board.jpg

A selection of Artist’s Proofs:

Peter Harrison’s Artist’s Proof are available for purchase. You will find a selection in our Store or you may contact us to inquire about a specific Artist’s Proof you may be interested in. Artist’s Proofs measure 13x19 inches (33x48 cm) and are printed on superior archival paper which will last generations.

View or download the full list of 239 Artist's Proofs.

From Peter’s Blog:

 

Creating an Art Plate

“The art plates are the very heart and soul of the book. Whenever I’m painting a bird, my number one priority is to bring that bird, that figure that’s on the page, to life.”

Peter Harrison

Top of page: Atlantic Puffin. © Peter Harrison